RSS 1.0History and Medieval Studies
Recent Submissions
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Globalizing early modern central and eastern European art: A discussion forumThe following roundtable is the result of a conversation between six scholars who met in the summer of 2021 to share their views on the challenges and opportunities associated with tracing and popularizing central and eastern Europe’s global and transcultural histories with a focus on early modern art and material culture. The topics addressed include the long tradition of studying art from a global perspective in the region, groups of objects ripe for reinterpretation, preferred methodologies, and the unique contributions scholars of the region are poised to make to the global turn.
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Three Alba Amicorum from the Habsburg NetherlandsThis article uses the alba collected by three travellers from the Habsburg Netherlands to Constantinople in the 1570s and 1580s to explore the purposes of collecting and what they reveal about being part of an integrated imperial mission that represented Habsburg territory abroad. The first album was gathered by the imperial ambassador’s physician Arnold Manlius between May 1571 and November 1574. Manlius’s humanist project is filled with over ninety signatures from his fellow housemates and local notables, accompanied by explanatory annotations in Latin. The article contrasts this large collection with the alba of Lambert Wijts of Mechlin and Johann Huenich of Antwerp, both of whom spent two months in Constantinople as members of tribute-carrying delegations. Wijts (who was in Constantinople between July and August 1572) and Huenich (January through March 1586) gathered eclectic collections of signatures alongside sets of costume album images. Taken together, the three alba reveal a range of collecting practices and purposes – intellectual, documentary, and personal – of men from the Southern Low Countries working in the service of Habsburg emperors in Ottoman Constantinople.
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The languages of monarchism in interwar Yugoslavia, 1918–1941: Variations on a themeThrough a selection of primary sources, this article demonstrates the political and legal languages which articulated monarchist ideas in interwar Yugoslavia. Variations on the theme emerged in different periods. First, the national and so democratic character of the monarch and monarchy was a prevalent image at the end of the First World War and in the first decade of the Yugoslav state’s existence. During the domestic political crises in the second half of the 1920s, the language of monarchism shifted toward discourses of stability and public order. After the declaration of the royal dictatorship in January 1929, the language of monarchism became fully invested in expressing the monarch’s absolute political authority, legally inviolable character, and the resulting ‘unity of state and nation’. For the political Right, the king embodied the spirit of integral Yugoslavism. While the language of monarchism could serve disparate political ideologies – as in the liberal monarchist emigration after spring 1941 – it was rather primarily linked to the political visions of the Right in the final decade of interwar Yugoslavia.
